The genre is a constantly evolving creative and revolutionary act rather than a concept with a concrete start or end date. Admittedly, there will always be debate about the true birthdate of hip-hop. That's the date that I decided we should name this as a whole culture and start moving from there," Bambaataa stated. Hip-hop even goes further than that, but we decided to name it hip-hop as a culture, meaning with the b-boys, the b-girls, the MCs, the aerosol writers, graffiti writers and the DJs and that fifth element that holds it all together. "When we decided to call this whole culture hip-hop. During an interview with Nardwuar, Universal Zulu Nation leader Afrika Bambaataa argued that the birthday of hip-hop was Nov. However, some argue August 11, 1973, isn't the accurate birthdate of hip-hop. Cindy and Herc's party came right at the moment when gangs had begun to wane and young people were looking for ways to gather and express themselves." Herc set the tone for hip-hop in the Bronx, as pioneering MCs began brainstorming ways to flow over his production. As Jeff Chang put it to Paste Magazine, "The party was important not so much because of its size or Herc's playlist or any special dance that got introduced, the fact that it sparked a scene that transformed the youth culture in that devastated borough. The significance of the block party went beyond dance-inducing loops of James Brown or Isley Brothers tracks. (Photo by Henry Iddon/PYMCA/Avalon/Getty Images) As a result, he began to brainstorm ways in which to extend this sound over the course of a song.ĭJ Kool Herc, looking through his records, DJing, Blackpool, UK. He observed that this almost always occurred at the drum break. "I was noticing people used to wait for particular parts of the record to dance, maybe to do their specialty move," DJ Kool Herc told History. He would create the loop in front of a crowd with two turntables and a mixer, allowing him to manipulate the breakbeat in real-time. Even more impressively, Herc would do all of this in a live setting with the Merry-Go-Round technique. He would pioneer a style popularly known as "breakbeats." The style revolves around looping a section of funk records into a sound that people would lose their minds to. As a result, Herc's background naturally generated the early soundscapes of hip-hop. Kool Herc's melting pot of Jamaican influences meshed with the bustling world of New York. Suddenly, the 18-year-old was viewed in a starkly different light throughout the Bronx borough. DJ Kool Herc would become a local celebrity overnight. Over 300 people would show up at Sedgwick Avenue. Even ahead of frat party antics, the entry charge was 50 cents for boys and a quarter for girls. Initially, the goal was to raise funds to purchase new clothes for the upcoming school year. However, it was actually Herc's sister, Cindy Campbell, who had decided to throw the block party. The Jamaican-American DJ was instrumental in the creation of hip-hop. On August 11, 1973, DJ Kool Herc, born Clive Campbell, threw the famous "back to school jam" block party on 1520 Sedgwick Ave.
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